With Vekhanasa · Translation: Bhikkhu Sujato, SuttaCentral
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thusEvaṁ
by meme
heardsutaṁ—
oneekaṁ
timesamayaṁ
the Blessed Onebhagavā
near Sāvatthīsāvatthiyaṁ
was stayingviharati
in Jeta's Grovejetavane
of Anāthapiṇḍikaanāthapiṇḍikassa
monasteryārāme.
So I have heard. At one time the Buddha was staying near Sāvatthī in Jeta’s Grove, Anāthapiṇḍika’s monastery.
thenAtha
indeedkho
Vekhanasavekhanaso
wandererparibbājako
whereyena
the Blessed Onebhagavā
approached himtenupasaṅkami;
having approachedupasaṅkamitvā
with the Blessed Onebhagavatā
togethersaddhiṁ
exchanged greetingssammodi.
greetingSammodanīyaṁ
conversationkathaṁ
politesāraṇīyaṁ
having exchangedvītisāretvā
to one sideekamantaṁ
stoodaṭṭhāsi.
to one sideEkamantaṁ
standingṭhito
indeedkho
Vekhanasavekhanaso
wandererparibbājako
of the Blessed Onebhagavato
in the presencesantike
heartfelt sentimentudānaṁ
expressedudānesi:
this“ayaṁ
ultimateparamo
splendorvaṇṇo,
thisayaṁ
ultimateparamo
splendorvaṇṇo”ti.
why“Kiṁ
butpana
youtvaṁ,
Kaccānakaccāna,
thusevaṁ
you sayvadesi:
this‘ayaṁ
ultimateparamo
splendorvaṇṇo,
thisayaṁ
ultimateparamo
splendorvaṇṇo’ti?
whatKatamo,
Kaccānakaccāna,
thatso
ultimateparamo
splendorvaṇṇo”ti?
since“Yasmā,
worthybho
Gotamagotama,
than splendorvaṇṇā
otherañño
splendorvaṇṇo
fineruttaritaro
orvā
more excellentpaṇītataro
orvā
there is notnatthi
thatso
ultimateparamo
splendorvaṇṇo”ti.
what“Katamo
butpana
thatso,
Kaccānakaccāna,
splendorvaṇṇo
sinceyasmā
than splendorvaṇṇā
otherañño
splendorvaṇṇo
fineruttaritaro
orvā
more excellentpaṇītataro
orvā
there is notnatthī”ti?
since“Yasmā,
worthybho
Gotamagotama,
than splendorvaṇṇā
otherañño
splendorvaṇṇo
fineruttaritaro
orvā
more excellentpaṇītataro
orvā
there is notnatthi
thatso
ultimateparamo
splendorvaṇṇo”ti.
Then the wanderer Vekhanasa went up to the Buddha, and exchanged greetings with him. When the greetings and polite conversation were over, he stood to one side, and expressed this heartfelt sentiment in the Buddha’s presence: “This is the ultimate splendor, this is the ultimate splendor.” “But Kaccāna, why do you say: ‘This is the ultimate splendor, this is the ultimate splendor.’ What is that ultimate splendor?” “Worthy Gotama, the ultimate splendor is the splendor compared to which no other splendor is finer.” “But what is that ultimate splendor compared to which no other splendor is finer?” “Worthy Gotama, the ultimate splendor is the splendor compared to which no other splendor is finer.”
long even“Dīghāpi
indeedkho
for youte
thisesā,
Kaccānakaccāna,
would extendphareyya:
since‘yasmā,
sirbho
Gotamagotama,
than splendorvaṇṇā
otherañño
splendorvaṇṇo
higheruttaritaro
orvā
finerpaṇītataro
orvā
there is notnatthi
thatso
ultimateparamo
splendorvaṇṇo’ti
you sayvadesi,
and thattañca
splendorvaṇṇaṁ
notna
you describepaññapesi.
just asSeyyathāpi,
Kaccānakaccāna,
a manpuriso
thusevaṁ
would sayvadeyya:
I‘ahaṁ
whoeveryā
in thisimasmiṁ
countryjanapade
finest lady in the landjanapadakalyāṇī,
hertaṁ
I wanticchāmi
hertaṁ
I desirekāmemī’ti.
him theyTamenaṁ
thusevaṁ
would sayvadeyyuṁ:
my man‘ambho
manpurisa,
thatyaṁ
youtvaṁ
land·finest ladyjanapadakalyāṇiṁ
you wanticchasi
you desirekāmesi,
do you knowjānāsi
thattaṁ
land·finest lady·aristocratjanapadakalyāṇiṁ—khattiyī
orvā
a brahminbrāhmaṇī
orvā
a peasantvessī
orvā
a menialsuddī
orvā’ti?
thusIti
askedpuṭṭho
no‘no’ti
he would sayvadeyya.
him theyTamenaṁ
thusevaṁ
would sayvadeyyuṁ:
my man‘ambho
manpurisa,
thatyaṁ
youtvaṁ
land·finest ladyjanapadakalyāṇiṁ
you wanticchasi
you desirekāmesi,
do you knowjānāsi
thattaṁ
land·finest ladyjanapadakalyāṇiṁ
such·nameevaṁnāmā
having such a clanevaṅgottāti
orvāti
...…pe…
talldīghā
orvā
shortrassā
orvā
mediummajjhimā
orvā
blackkāḷī
orvā
brownsāmā
orvā
dingy·skinmaṅguracchavī
orvāti
...…
in such-and-suchamukasmiṁ
villagegāme
orvā
townnigame
orvā
citynagare
orvā’ti?
“Kaccāna, you could draw this out for a long time. You say, ‘The ultimate splendor is the splendor compared to which no other splendor is finer.’ But you don’t describe that splendor. Suppose a man was to say, ‘Whoever the finest lady in the land is, it is her that I want, her I desire!’ They’d say to him, ‘My man, that finest lady in the land who you desire—do you know whether she’s an aristocrat, a brahmin, a peasant, or a menial?’ Asked this, he’d say, ‘No.’ They’d say to him, ‘My friend, that finest lady in the land who you desire—do you know her name or clan? Whether she’s tall or short or medium? Whether her skin is black, brown, or dingy? Whether she comes from such-and-such village, town, or city?’
thusIti
askedpuṭṭho
no‘no’ti
he would sayvadeyya.
he + himTamenaṁ
thusevaṁ
they would sayvadeyyuṁ:
my man‘ambho
manpurisa,
whatyaṁ
youtvaṁ
notna
you knowjānāsi
notna
you seepassasi,
thattaṁ
youtvaṁ
you desireicchasi
you likekāmesī’ti?
thusIti
askedpuṭṭho
yes‘āmā’ti
he would sayvadeyya.
thatTaṁ
whatkiṁ
you thinkmaññasi,
Kaccānakaccāna,
is it notnanu
thusevaṁ
beingsante
of thattassa
manpurisassa
without demonstrable basisappāṭihīrakataṁ
statementbhāsitaṁ
turns outsampajjatī”ti?
clearly“Addhā
indeedkho,
worthybho
Gotamagotama,
thusevaṁ
beingsante
of thattassa
manpurisassa
without demonstrable basisappāṭihīrakataṁ
statementbhāsitaṁ
turns outsampajjatī”ti.
in the same way“Evameva
indeedkho
youtvaṁ,
Kaccānakaccāna,
since‘yasmā,
worthybho
Gotamagotama,
splendorvaṇṇā
otherañño
splendorvaṇṇo
fineruttaritaro
orvā
more excellentpaṇītataro
orvā
there is notnatthi
thatso
ultimateparamo
splendorvaṇṇo’ti
you sayvadesi;
that + buttañca
splendorvaṇṇaṁ
notna
you describepaññapesī”ti.
Asked this, he’d say, ‘No.’ They’d say to him, ‘My man, do you desire someone who you’ve never even known or seen?’ Asked this, he’d say, ‘Yes.’ What do you think, Kaccāna? This being so, doesn’t that man’s statement turn out to have no demonstrable basis?” “Clearly that’s the case, worthy Gotama.” “In the same way, you say, ‘The ultimate splendor is the splendor compared to which no other splendor is finer.’ But you don’t describe that splendor.”
just as“Seyyathāpi, misterbho Gotamagotama, a gemmaṇi a berylveḷuriyo lustroussubho naturallyjātimā eight-facetedaṭṭhaṁso well-workedsuparikammakato on a cream rugpaṇḍukambale placednikkhitto shinesbhāsate andca glowstapate andca apart·shinevirocati andca, soevaṁ splendorvaṇṇo selfattā ishoti free of diseasearogo afterparaṁ deathmaraṇā”ti.
“Mister Gotama, suppose there was a beryl gem that was naturally lustrous, eight-faceted, well-worked. When placed on a cream rug it would shine and glow and dazzle. Such is the splendor of the self that is free of disease after death.”
that“Taṁ
whatkiṁ
do you thinkmaññasi,
Kaccānakaccāna,
whichyo
orvā
gemmaṇi
berylveḷuriyo
beautifulsubho
birth·havingjātimā
eight-facetedaṭṭhaṁso
well-wroughtsuparikammakato
cream·blanketpaṇḍukambale
placednikkhitto
shinesbhāsate
andca
glowstapate
andca
forth·shinevirocati
andca,
whichyo
orvā
in the dark of nightrattandhakāratimisāya
a wormkimi
fireflykhajjopanako
of theseimesaṁ
of bothubhinnaṁ
of splendorsvaṇṇānaṁ
whichkatamo
splendorvaṇṇo
more excellentabhikkantataro
andca
more sublimepaṇītataro
and?'"cā”ti?
this which“Yvāyaṁ,
sirbho
Gotamagotama,
in the dark of nightrattandhakāratimisāya
a wormkimi
fireflykhajjopanako,
thisayaṁ
of theseimesaṁ
of bothubhinnaṁ
of splendorsvaṇṇānaṁ
more excellentabhikkantataro
andca
more sublimepaṇītataro
and.'"cā”ti.
“What do you think, Kaccāna? Which of these two has a finer splendor: such a beryl gem, or a firefly in the dark of night?” “A firefly in the dark of night.”
(quotation marker)“Taṁ
whatkiṁ
do you thinkmaññasi,
Kaccānakaccāna,
whichyo
orvā
in the dark of nightrattandhakāratimisāya
a fireflykimi
fireflykhajjopanako,
whichyo
orvā
in the dark of nightrattandhakāratimisāya
an oil lamptelappadīpo,
of theseimesaṁ
of the twoubhinnaṁ
of splendorvaṇṇānaṁ
whichkatamo
splendorvaṇṇo
finerabhikkantataro
andca
more excellentpaṇītataro
quotation markercā”ti?
an oil lamp in the dark of night“Yvāyaṁ,
sirbho
Gotamagotama,
in the dark of nightrattandhakāratimisāya
an oil lamptelappadīpo,
thisayaṁ
of theseimesaṁ
of the twoubhinnaṁ
of splendorvaṇṇānaṁ
finerabhikkantataro
andca
more excellentpaṇītataro
quotation markercā”ti.
“What do you think, Kaccāna? Which of these two has a finer splendor: a firefly in the dark of night, or an oil lamp in the dark of night?” “An oil lamp in the dark of night.”
that“Taṁ
whatkiṁ
you thinkmaññasi,
Kaccānakaccāna,
whichyo
orvā
in the dark of nightrattandhakāratimisāya
an oil lamptelappadīpo,
whichyo
orvā
in the dark of nightrattandhakāratimisāya
a great mass of firemahāaggikkhandho,
of theseimesaṁ
of twoubhinnaṁ
of splendorsvaṇṇānaṁ
whichkatamo
splendorvaṇṇo
more excellentabhikkantataro
andca
more sublimepaṇītataro
and?cā”ti?
that which“Yvāyaṁ,
sirbho
Gotamagotama,
in the dark of nightrattandhakāratimisāya
a great mass of firemahāaggikkhandho,
thisayaṁ
of theseimesaṁ
of twoubhinnaṁ
of splendorsvaṇṇānaṁ
more excellentabhikkantataro
andca
more sublimepaṇītataro
and."cā”ti.
“What do you think, Kaccāna? Which of these two has a finer splendor: an oil lamp in the dark of night, or a great mass of fire in the dark of night?” “A great mass of fire in the dark of night.”
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