Lomasakaṅgiya and One Fine Night · Translation: Bhikkhu Sujato, SuttaCentral
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Evaṁ me sutaṁ— ekaṁ samayaṁ bhagavā sāvatthiyaṁ viharati jetavane anāthapiṇḍikassa ārāme. Tena kho pana samayena āyasmā lomasakaṅgiyo sakkesu viharati kapilavatthusmiṁ nigrodhārāme.
So I have heard. At one time the Buddha was staying near Sāvatthī in Jeta’s Grove, Anāthapiṇḍika’s monastery. Now at that time Venerable Lomasakaṅgiya was staying in the Sakyan country at Kapilavatthu in the Banyan Tree Monastery.
Atha kho candano devaputto abhikkantāya rattiyā abhikkantavaṇṇo kevalakappaṁ nigrodhārāmaṁ obhāsetvā yenāyasmā lomasakaṅgiyo tenupasaṅkami; upasaṅkamitvā ekamantaṁ aṭṭhāsi. Ekamantaṁ ṭhito kho candano devaputto āyasmantaṁ lomasakaṅgiyaṁ etadavoca: “dhāresi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañcā”ti? “Na kho ahaṁ, āvuso, dhāremi bhaddekarattassa uddesañca vibhaṅgañca. Tvaṁ panāvuso, dhāresi bhaddekarattassa uddesañca vibhaṅgañcā”ti? “Ahampi kho, bhikkhu, na dhāremi bhaddekarattassa uddesañca vibhaṅgañca. Dhāresi pana tvaṁ, bhikkhu, bhaddekarattiyo gāthā”ti? “Na kho ahaṁ, āvuso, dhāremi bhaddekarattiyo gāthā. Tvaṁ panāvuso, dhāresi bhaddekarattiyo gāthā”ti? “Dhāremi kho ahaṁ, bhikkhu, bhaddekarattiyo gāthā”ti. “Yathā kathaṁ pana tvaṁ, āvuso, dhāresi bhaddekarattiyo gāthā”ti? “Ekamidaṁ, bhikkhu, samayaṁ bhagavā devesu tāvatiṁsesu viharati pāricchattakamūle paṇḍukambalasilāyaṁ.
Then, late at night, the glorious godling Candana, lighting up the entire Banyan Tree Monastery, went up to the Venerable Lomasakaṅgiya, and stood to one side. Standing to one side, he said to Lomasakaṅgiya: “Mendicant, do you remember the summary recital and the analysis of the one who has one fine night?” “No, reverend, I do not. Do you?” “I also do not. But do you remember just the verses on the one who has one fine night?” “I do not. Do you?” “I do.” “How do you remember the verses on the one who has one fine night?” “This one time, the Buddha was staying among the gods of the thirty-three at the root of the Orchid Tree on the stone spread with a cream rug.
Tatra bhagavā devānaṁ tāvatiṁsānaṁ bhaddekarattassa uddesañca vibhaṅgañca abhāsi:
There he taught the summary recital and the analysis of the one who has one fine night to the gods of the thirty-three:
‘Atītaṁ nānvāgameyya, nappaṭikaṅkhe anāgataṁ; Yadatītaṁ pahīnaṁ taṁ, appattañca anāgataṁ. Paccuppannañca yo dhammaṁ, tattha tattha vipassati; Asaṁhīraṁ asaṅkuppaṁ, taṁ vidvā manubrūhaye. Ajjeva kiccamātappaṁ, ko jaññā maraṇaṁ suve; Na hi no saṅgaraṁ tena, mahāsenena maccunā. Evaṁvihāriṁ ātāpiṁ, ahorattamatanditaṁ; Taṁ ve bhaddekarattoti, santo ācikkhate munī’ti.
‘Don’t run back to the past, don’t anticipate the future. What’s past is left behind, the future has not arrived; and any present phenomenon you clearly discern in every case. The unfaltering, the unshakable: having known that, foster it. Today’s the day to keenly work— who knows, tomorrow may bring death! For there is no bargain to be struck with Death and his mighty horde. One who keenly meditates like this, tireless all night and day: that’s who has one fine night— so declares the peaceful sage.’
Evaṁ kho ahaṁ, bhikkhu, dhāremi bhaddekarattiyo gāthā. Uggaṇhāhi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañca; pariyāpuṇāhi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañca; dhārehi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañca. Atthasaṁhito, bhikkhu, bhaddekarattassa uddeso ca vibhaṅgo ca ādibrahmacariyako”ti. Idamavoca candano devaputto. Idaṁ vatvā tatthevantaradhāyi.
That’s how I remember the verses of the one who has one fine night. Learn the summary recital and the analysis of the one who has one fine night, mendicant, memorize it, and remember it. It is beneficial and relevant to the fundamentals of the spiritual life.” That is what the godling Candana said before vanishing right there.
Atha kho āyasmā lomasakaṅgiyo tassā rattiyā accayena senāsanaṁ saṁsāmetvā pattacīvaramādāya yena sāvatthi tena cārikaṁ pakkāmi. Anupubbena cārikaṁ caramāno yena sāvatthi jetavanaṁ anāthapiṇḍikassa ārāmo yena bhagavā tenupasaṅkami; upasaṅkamitvā bhagavantaṁ abhivādetvā ekamantaṁ nisīdi. Ekamantaṁ nisinno kho āyasmā lomasakaṅgiyo bhagavantaṁ etadavoca: “Ekamidāhaṁ, bhante, samayaṁ sakkesu viharāmi kapilavatthusmiṁ nigrodhārāme. Atha kho, bhante, aññataro devaputto abhikkantāya rattiyā abhikkantavaṇṇo kevalakappaṁ nigrodhārāmaṁ obhāsetvā yenāhaṁ tenupasaṅkami; upasaṅkamitvā ekamantaṁ aṭṭhāsi. Ekamantaṁ ṭhito kho, bhante, so devaputto maṁ etadavoca: ‘dhāresi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañcā’ti? Evaṁ vutte, ahaṁ, bhante, taṁ devaputtaṁ etadavocaṁ: ‘na kho ahaṁ, āvuso, dhāremi bhaddekarattassa uddesañca vibhaṅgañca. Tvaṁ panāvuso, dhāresi bhaddekarattassa uddesañca vibhaṅgañcā’ti?
Then Lomasakaṅgiya set his lodgings in order and, taking his bowl and robe, set out for Sāvatthī. Eventually he came to Sāvatthī and Jeta’s Grove. He went up to the Buddha, bowed, sat down to one side, and told him what had happened. Then he added:
‘Ahampi kho, bhikkhu, na dhāremi bhaddekarattassa uddesañca vibhaṅgañca. Dhāresi pana tvaṁ, bhikkhu, bhaddekarattiyo gāthā’ti? ‘Na kho ahaṁ, āvuso, dhāremi bhaddekarattiyo gāthā. Tvaṁ panāvuso, dhāresi bhaddekarattiyo gāthā’ti? ‘Dhāremi kho ahaṁ, bhikkhu, bhaddekarattiyo gāthā’ti. ‘Yathā kathaṁ pana tvaṁ, āvuso, dhāresi bhaddekarattiyo gāthā’ti? ‘Ekamidaṁ, bhikkhu, samayaṁ bhagavā devesu tāvatiṁsesu viharati pāricchattakamūle paṇḍukambalasilāyaṁ. Tatra kho bhagavā devānaṁ tāvatiṁsānaṁ bhaddekarattassa uddesañca vibhaṅgañca abhāsi: “Atītaṁ nānvāgameyya, …pe… Taṁ ve bhaddekarattoti, santo ācikkhate munī”ti. Evaṁ kho ahaṁ, bhikkhu, dhāremi bhaddekarattiyo gāthā. Uggaṇhāhi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañca; pariyāpuṇāhi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañca; dhārehi tvaṁ, bhikkhu, bhaddekarattassa uddesañca vibhaṅgañca. Atthasaṁhito, bhikkhu, bhaddekarattassa uddeso ca vibhaṅgo ca ādibrahmacariyako’ti.
Idamavoca, bhante, so devaputto. Idaṁ vatvā tatthevantaradhāyi. Sādhu me, bhante, bhagavā bhaddekarattassa uddesañca vibhaṅgañca desetū”ti.
“Sir, please teach me the summary recital and the analysis of the one who has one fine night.”
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